Side one, track one

Vinyl is for the room where the music happens — studio, listening corner, or the bit of the living room the speakers have claimed. There are two moods. The vintage one: 1950s jazz-night posters and painted instruments, a wooden cello rendered warmly enough to hear. And the electric one: equalizer bars, gradient soundwaves, rhythm turned into ribbons of colour — abstract pieces that read as pure graphic from across a room. The abstracts are the flexible ones and hang well in pairs. The jazz posters want a wall with some wood nearby and a lamp doing the lighting. Several designs run as phone cases too, where a gradient waveform looks unreasonably good. Everything is printed to order, in the size your wall calls for. Three below: equalizer bars, a jazz night poster, and a cello. Turn it up.